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[资料下载] 17年广外翻译与写作--写作部分

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发表于 2017-10-12 09:50:38 | 只看该作者 |只看大图 回帖奖励 |倒序浏览 |阅读模式
发现pdf形式大家都不怎么下,那我就发一个文字版本的。希望可以有所帮助吧。凭借记忆找到了summary文章的出处,来自于一本书 Cultural Tourism in Europe的chapter 1. 40分
The cultural heritage of Europe is"one of the oldest and most important generators of
tourism" (Thorburn, 1986), and itretains its central role in the European tourism industry to
this day. According to the European Union,"tourism, and especially cultural tourism in a
broader sense,..... deserve priorityattention" as policy areas (Bernadini, 1992). Cultural
tourism has become recognized as animportant agent of economic and social change in
Europe. Politicians now refer to culturalheritage as "Italy’s General Motors" (Fanelli, 1993)
or as "the oil industry ofFrance" (Mosser, 1994).

The dramatic metaphors attached to therapid growth of tourism and cultural consumption
are appropriate. The cultural and touristindustries appear to be advancing in all European
nations and regions, occupying the spacesvacated by manufacturing industry, and claiming
strategic city centre locations (Corijn andMommaas, 1995). Cultural consumption has
grown, and tourism is an increasinglyimportant form of cultural consumption, encouraged
and funded by local, national andsupranational bodies. This reflects the change from an era
when production drove consumption, to theconsumer society where consumption drives
production. By attracting that most mobileof consumers, the tourist, cities, regions and
nations can secure the consumption powernecessary to fuel their productive capacity.

The cultural tourism market in Europe istherefore becoming increasingly competitive. A
growing number of cities and regions in theEuropean Union are basing their tourism
development strategies on the promotion ofcultural heritage, and the number of cultural
attractions is growing rapidly. Traditionalcultural attractions such as museums and galleries
are having to reassess their role as thepressure to generate visitor income intensifies, and
the need to compete with a new generationof commercial tourist attractions grows. The
opening up of new cultural tourismdestinations in Eastern and Central Europe will add to
the growing supply of distractions for theEuropean cultural tourist in future.

On the global stage, Europe has longenjoyed a dominant position in international tourism
and the cultural industries. However, justas manufacturers are facing growing global
competition, so Europe can no longer becomplacent about its leading position in the cultural
tourism market. Europe is losing marketshare in the global tourism market as a whole
(Brent-Ritchie HW DO, 1993), and it isalso facing growing competition in the sphere of cultural
production and consumption.

The culture and tourism industries are nowgrowing fastest in those areas which used to be
on the margins of global production. Agrowing number of tourists are forsaking the
Mediterranean beaches for the palm-fringeddelights of Asia and the Caribbean. The
manufacture of CDs and much other culturalsoftware is now dominated by East Asia.
Countries in these former peripheralregions are also beginning to compete with Europe in
traditional ’high culture’ markets.Examples include the moves by Singapore to literally ’buy
into’ the international art auctionsmarket, and the creation by the Taiwanese government of
a $365 million cultural foundation tounderpin the island’s fast growing art market
Greg Richards (1996, ed.) Cultural Tourismin Europe.(Robertson, 1993).

There is no doubt that culture is animportant tourism resource in Europe, and that
maintaining the competitiveness of theEuropean tourism product is vital. However, a
number of questions surround the use ofcultural resources by tourists. Who are the tourists
who use these cultural facilities? Why dothey engage in cultural tourism? How great is the
demand for cultural tourism? What elementsof culture attract cultural tourists? Whose
culture is being consumed by the culturaltourists? Few previous studies have attempted to
answer these basic questions.

Essay Writing 60
到底是应在class instructionformal education)中 foster Critical thinking,还是naturally developin interpersonal communication,你是倾向哪一个观点?


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